Examples of monster clueless houses on Cabo de Esto.
No understanding or respect for the locale.
I kinda like the last one, an outbuilding.
Examples of monster clueless houses on Cabo de Esto.
No understanding or respect for the locale.
I kinda like the last one, an outbuilding.
For those of you getting this for the first time:
Over the years, the list has grown — I’ve added anyone I thought might be interested — and there are now about 6,500 people getting these infrequent emails.
If you’re not signed up on the list to receive (that is, if you are reading this on Instagram or my blog), you can sign up for email delivery of the Gimme Shelter newsletter here.
I like getting back to emails. Completely different from social media. These come in to you; you don’t have to open anything up. Old school, in a way.
When I send these out, some older people say “I got your blog,” They’re not going to my real blog, and I can reach them this way.
Like a lot of technical advances, we all rush in, and then step back and figure out what’s missing with the new technology. And then try to figure out how to incorporate some of the old stuff (that’s missing) in the mix. Like recording music — the limitations of digital recording vs. vinyl or tape.
It’s a chance for me to tell people what’s going on in my world, in a direct and more personal way than Instagram or my blog.
Sorry for the length of this. (The last one of these was over a year ago.) As I’ve said many times before, paraphrasing Blasé Pascal (1647): “I’d have written a shorter letter, but I didn’t have enough time.”
I’m not big on broadcasting my personal life, but events of the past year have had such an impact on what I’m doing — now and in the future — that I thought I’d explain a bit here. I’m writing this for people who follow me in one way or another, so you’ll know where I’ll be “…coming from.”
In 2023, I lost my wife Lesley, my brother, and my two best friends, so I’m heading into new territory.
I’m coping — it’s a gradual process and I’m OK, but — without going into details — things are definitely different in my life.
Coincidentally with all this, I had decided I was weary of running a publishing business and was looking for someone to buy Shelter Publications — and this has just happened:
As of January 1st, 2024, AdventureKEEN is taking over the operation of Shelter Publications, which I have been running for 53 years. Another big change in my life.
They will keep everything functioning and I’ll be able to step away from the (ever-increasing) business and technical details of running a publishing company, and go into a new phase of communicating. AdventureKEEN will be the publisher, and distribution will still be by my beloved Publishers Group West book lovers.
AdventureKEEN is a great fit for Shelter. Some of their other publishers are Wilderness Press, Adventure Publications, and Nature Study Guides. Hiking, canoeing, cooking, gardening, backpacking, animals, tracking — all stuff I’m into: adventure. I feel very sympatico with everyone at AdventureKEEN.
And a big tip of the Hatlo hat to PGW’s Kevin Votel for shepherding this deal along.
When I finally disentangle myself from all the responsibilities of running a business and being an employer, I plan to start posting on Substack, doing better Instagram posts, and making videos for my YouTube channel — reporting on tools, how to do stuff, the beaches, the hills, skateboarding, cool people, and all the amazing things going on in cities.
I’m excited to be shifting gears. Like when I switched from insurance broker to carpenter in 1965. Or when I gave up after building domes for five years and discovered real building in the ’70s. A fresh outlook on work and life.
For some reason, disengaging myself from the business of running a company made me think of the ropes of entanglement in this drawing (by J.J. Grandville) in Gulliver’s Travels (1756). Cutting the ropes and bounding into a new phase of life.
On Substack, I can write, and as well post images larger than Instagram’s 3 by 4 inches. (I want my photos on a bigger screen.) Substack is for writers, and is kind of a combination email and blog. And that I can er, ahem, hopefully get paid for (by subscriptions).
I’ve been a communicator since the age of 3. “Hey Mom, look at this butterfly.” I’m a reporter at heart — have been since my high school journalism class, and then running a newspaper for two years on an Air Force Base in Germany (1958–60). I shoot photos constantly and everywhere.
I find the world — in spite of all the darkness nowadays — fascinating. People doing great (and often unnoticed and unheralded) things, plus homes, tools, vehicles, art, signs, etc. that I’ll record. I want to take you along with me — riding shotgun — seeing what I see.
In the ’80s, I loved journalist Charles Kuralt’s TV program “On the Road,” his 12‑year motorhome adventures traveling the back roads of America and filming people and places. I’m gonna get out in the world and report on what I run across.
I’ll be going into full journalistic mode, not just the intermittent reporting I’ve been doing in recent years.
Thanks to Christopher Ryan, writer extraordinaire (Sex at Dawn, Civilized to Death), prolific podcaster, and more recently Substacker (chrisryan.substack.com) for turning me onto Substack.
“I’m a man who likes to talk to a man who likes to talk.”
-Sidney Greenstreet to Humphrey Bogart in The Maltese Falcon
I figure to be rolling in these new modes by March–April, 2024. And I’ll try to do these newsletters at least every few months.
I figure I’ve got a year or so to see if this is gonna work.
I’m heading to Baja Sur in my 2003 Tacoma 4×4 (5-speed, 2.4 L, 4‑cylinder engine), with tent on top and foldable tarp for beach camping. Taking my old ten-foot Doug Haut Surftek three-fin surfboard and I’m gonna try to start getting back up on the board. Once I’m up, I’m OK. Looking forward to warm water. Also taking boogie board and fins. I’m gonna ride waves one way or another. Plus work on my crawl stroke, and some diving.
This will be my first road trip to Baja in 20 years. Los Cabos (the southern tip of Baja) has grown exponentially, but I plan to — as in the past — get outside the very narrow regions of heavy tourism — into the real Baja. Camping on remote beaches and in water-filled arroyos, visiting old mission sites, hot springs, remote ranchos.
For about a dozen years, I went to Baja whenever I got the chance, hanging out with my Mexican friends, and I came to love the people and the tropical desert of the Los Cabos area.
“It is impossible to account for the charm of this country or its fascination, but those who are familiar with the land of Baja California are either afraid of it or they love it, and if they love it they are brought back by an irresistible fascination time and time again.”
–Erle Stanley Gardner
I’ll be posting on Instagram as I travel. (I left on January 30.)
From our good friend Yogan and crew in France. He has turned out to be a master carpenter!
Here are pictures of the new tower on our workshop:
We just finished the four-sided roof with three lucarnes (dormer windows) and a campanile (small roof on top of the roof).
The frame is chestnut and oak, squared by hand; the roof framing is complex due to the four-sided roof. We had to use the old technique for assembling all the tenons and mortises.
The tiles are made with a 100-year-old machine, by a little local artisan; they are beautiful in their irregularity. They are assembled with hooks on small horizontal purlins of poplar. We used plaster mortar to assemble the four edges.
On the top there is an épis de faîtage, a ceramic sculpture for a beautiful headpiece.
We built it during a four-week workshop, with a lot of people helping.
The basement of the tower is in stone, the first floor, is our office. It’s made in colombage, all in wood, and between is a mix of wood chips and lime, covered with with a sand and lime plaster.
In our workshop, we work on different buildings, gazebos, structures for big festivals, sets for movies…
Kirsten Dirksen amd Nicolás Boullosa continue their amazing and prodigious coverage of “…simple living, self-sufficiency, small (and tiny) homes, backyard gardens (and livestock), alternative transport, DIY, craftsmanship and philosophies of life.”
I can’t believe how many videos Kirsten has made and photos Nicolás has shot, it seems like they post videos and photos weekly. All stuff I’m interested in.
This one really got me because I’m a native San Franciscan, and never dreamed of a place like this in the city.
Check out faircompanies.com
First, turn off the intrusive sound track.
By Chiara Fiorillo News Reporter
16 Sep 2023
A hermit may have lived in a precarious house perched on the side of a cliff in California for the past 10 years — but nobody seems to know who the man actually is.
A dilapidated three-storey structure, made of driftwood, was first spotted at Devil’s Slide in the San Francisco Bay Area in December 2022, when it was filmed by a drone. Stunned onlookers said the intriguing home was partially destroyed during the rainstorms that hit the Bay Area earlier this year but has since been rebuilt.
Drone operator @ParallaxEffect, who posted footage of the driftwood shack on YouTube, said he was hiking along the California coast with some friends when they noticed the property, which he described as “one of the most incredible human structures I’ve ever seen”.
The shack appears to have several rooms and is located on the steep San Mateo County rock face. The video shows wood and ropes in the structure as well as a boxing punching bag, several buoys, some old signs, and what appears to be a fully enclosed room.
On Google Earth, the shack appears to have a rope rising from it, which is linked to the Devil’s Slide trail above — and it may possibly be used as a means of entry and exit. A Google Maps satellite image also seems to show the structure intact as waves crash onto the rocks beneath it.
www.mirror.co.uk/news/us-news/mystery-hermit-living-cliffside-shack-30955761
If you look at the left, there appears to be a cave or tunnel. When blown up, there appears to be a pathway of rocks leading into it.???
In my years of photographing driftwood shacks for the book: Driftwood Shacks: Anonymous Architecture Along the California Coast, I never saw anything faintly resembling this.
Wow!!
Thanks to Jeff Sinder and Ruth Kneass
My friends Jonathan and Dobree Greene sent me photos of these magnificent art works:
“BOOTHBAY, Maine — Something wicked has taken over the woods at the Coastal Maine Botanical Gardens… something wicked awesome!
Five mythical trolls have taken up residence in the forest at the Botanical Gardens—tucked in the woods and hidden on paths that force visitors to go hunting for the friendly giants just to catch a glimpse of them all.
The father of the trolls is a Danish artist, Thomas Dambo, who considers himself a recycled art activist. Dambo spent the last several weeks creating five, 20-foot-tall sculptures made completely from recycled materials, most of which were found nearby Boothbay.
“I like to think that I write modern folklore stories about the current issues of the world,” explained Dambo, who is trying to share a message of conservation.
For him, they represent the yin and yang of nature.
“If you don’t treat nature nice, then nature will stand up and roar and blow your house over. But if you’re treating nature really, really good, it will provide everything you need,” Dambo said.
He has made a career creating trolls made of trash all around the world.
–Beth McEvoy (NEWS CENTER Maine)”
Photo by Nin Solis – Living Inside
Article by Anna Bisazza
Deep in the Mexican countryside of Valle de Bravo — a lush escape about two hours’ drive from Mexico City — Emiliano Garcia and Helene Carlo found the perfect spot to build an eco home. Partners in life and in ASPJ, a Mexican architecture and landscape design studio, the couple had a burning question: can we build more sustainably and cheaper, and in a way that can be widely copied?
The main structural element is a concrete cube that supports the rest of the house.
“It was important for us to prove its feasibility and to be able to make our structure replicable, not only a one-of-a-kind,” says Garcia. The couple are keen for this type of building to become the rule rather than the exception.
La Lomita is named for its hilltop position, from where it looks out on to the picturesque surrounding mountains from its secluded spot, and is accessed by a small dirt road. The structure is distinguished by an unusual single arched roof and an open facade with corrugated metal finishing that loosely evokes the image of an aircraft hangar, but there are many other experimental features meticulously planned by Garcia and Carlo that are not immediately obvious.
“Being able to take weight off the building, bringing it to half of what it would normally be in a conventional build, was a really successful outcome,” says Garcia. The main structural element is a concrete cube that encloses two bathrooms and the staircase. It supports the rest of the house, which is built primarily in wood. “This means we’re not intervening heavily in the foundation by digging deep into the ground and building concrete slab layers. Here, we managed to separate the house from the ground, only attaching it to the necessary structural points.”
A second critical aspect for Garcia and Carlo was the traceability of materials and controlling as much as possible their impact on the environment. To build the columns, floors and walls — which amounts to 70% of the house — they used recycled laminated wood made from boxes for the transport of car parts in Volkswagen and Audi factories. “This is FSC-certified wood from Europe and we’re giving it a second use as OSB [oriented strand board], a material that is gaining popularity these days.”
www.theguardian.com/lifeandstyle/2023/jun/25/ready-to-soar-inside-a-dramatic-eco-home-in-mexico