carpentry (127)

Yogan’s New Tower in France

From our good friend Yogan and crew in France. He has turned out to be a master carpenter!


Here are pictures of the new tower on our workshop:

We just finished the four-sided roof with three lucarnes (dormer windows) and a campanile (small roof on top of the roof).

The frame is chestnut and oak, squared by hand; the roof framing is complex due to the four-sided roof. We had to use the old technique for assembling all the tenons and mortises.

The tiles are made with a 100-year-old machine, by a little local artisan; they are beautiful in their irregularity. They are assembled with hooks on small horizontal purlins of poplar. We used plaster mortar to assemble the four edges.

On the top there is an épis de faîtage, a ceramic sculpture for a beautiful headpiece.

We built it during a four-week workshop, with a lot of people helping.

The basement of the tower is in stone, the first floor, is our office. It’s made in colombage, all in wood, and between is a mix of wood chips and lime, covered with with a sand and lime plaster.

In our workshop, we work on different buildings, gazebos, structures for big festivals, sets for movies…

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Norman Castle with Underground Springs in San Francisco



Kirsten Dirksen amd Nicolás Boullosa continue their amazing and prodigious coverage of “…simple living, self-sufficiency, small (and tiny) homes, backyard gardens (and livestock), alternative transport, DIY, craftsmanship and philosophies of life.”

I can’t believe how many videos Kirsten has made and photos Nicolás has shot, it seems like they post videos and photos weekly. All stuff I’m interested in.

This one really got me because I’m a native San Franciscan, and never dreamed of a place like this in the city.

Check out faircompanies.com

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Photos of Reconstruction of Notre Dame Cathedral by Yogan

From our good friend, French carpenter yogan. yogan’s work has appeared in four of our building books.

A few months ago with my friends Martin, Thomas and Orso from CopeauXcabanA, we went to the workshop where the new frame of Notre Dame de Paris was being built. All of the framing was done with oak that was 60 to 200 years old.

All the wood was squared on two sides by a sawmill and the other two by axes, following the wood fiber. They used 60 new axes that had been made by master blacksmiths.

In this workshop, 5 months of intensive axe work was necessary to square all the wood for making the framework of the choir and the apse.

Almost 800 trees were used for this part. The longest tie beam was 35×45cm (14″×18″), and 16m (52 feet) long. The largest rafter was 12 meters (40 feet) long.

In the workshop they tested all the frames before sending them to Paris, so we had the chance to climb and see this fabulous framework before it was installed in the cathedral.

Originally (900 years ago) they made all the frames in 12 years; this time it was accomplished in 1½ years.

The reconstruction of Notre Dame de Paris will be finished next summer.

Ten years ago, my friend Menthé and I sneaked into the cathedral, climbed up, took some crazy pictures before the fire!

From these experiences in this magic cathedral, we learned how to square wood with axes and we made our workshop, in CopeauXcabanA with these techniques.

copeauxcabana.fr/projets/atelier

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Alex Writes About the Influence of Shelter on His Life

It’s kinda mind-boggling to me how many people are writing us these days about the influence of our building books on their lives — at least once a day.


Hi Lloyd,

My name is Alex, born in France 30 years ago,

In 2017 my then girlfriend and I were farming a small piece of land in rural Portugal, living in our van. Our neighbors, two Swedish friends who had recently moved in the country too, were getting started with a sandbag dome project and we’d committed to dedicate a few weeks to helping them. It was the peak of a very hot summer so the four of us would work early every morning until the sun slowed us too much to keep going and would go to the lake or chill in a hammock until the evening temperature drop allowed us to carry on with the build.

 It’s during one of those hot afternoons, sheltered from the sunrays by an olive tree, that my friend Karl handed one of his books. I read it like a novel over a couple of days putting it down only to eat work and sleep. The read had a big impact on me. That book was filled with hope, history, nostalgia, knowledge and stories and all of it fueled me, my imagination, my motivation. That book that may have looked like an other beautiful book about buildings turned out to be a magical collection of archives, thoughts, projects, experiences and dreams you’d gathered early in your life, a book unlike any other, Shelter.

When I visited my family in France a couple months later, my aunt who often goes to local garage sales told me she found an old book in english she thought I might like, Shelter landed in my hands for the second time and now sits on my bookshelf.

After having lost the mental battle against drought and wildfires in Central Portugal we moved back to France and after years of many jobs I am now studying to better myself as a builder. I got a scholarship to enter a program for conventional builders transitionning to eco friendly practices. I had no prior official building education but managed to convince them to have me and I now learn masonry, carpentry and other coating and insulation techniques.

 I think Shelter made me see in construction the same thing I was seeing in agriculture. It looks ugly the way it’s done in our modern societies but if you do it with a bit of awareness curiosity and creativity it can be noble, artistic. It helped me see how culturally, ecologically and politically important building was. Growing up no one was a builder around me and I wasn’t especially destined to dedicate my time to this, when I was asked about where my interest for this field came from during my enroling interview I mentionned you as my distant mentor.

My life has been made more interesting by a lot of books, Shelter definitely hangs with the ones at the top. I know you’ve been getting a lot of similar messages and letters since the 70’s, your book Home Work displays some of them, I can’t say it was vital for me to write this but it feels right knowing my admiration might reach you in person.

For some time I was planning to send you a letter and a photo when I finished my house but I currently live on a friends couch and my dream house has remained a dream house and is still only drawings on the pages of my old notebooks. The reason I’m writing this today is more practical. My school has me schedule four three-week internships this year. I get to choose where and with whom I want to work. I started exploring my options but the other day I wondered if Lloyd Kahn would have someone to recommend in France or Italy or wherever in Europe.

I think I mostly like carpentry but I’m happy to discover most things, I’m still at an early stage of my building story and would probably be happy learning with most skilled workers willing to share their knowledge. I really like Linda and Ianto’s Oregon cob that I discovered thanks to you but I failed to find people who work in similar ways around here, I guess building regulations are hitting creative builders pretty hard worldwide. This is just a message in bottle, I’m already happy I wrote this, happier even if you find it, infinitely grateful if you got that far. But if you happen to have an idea or some quick guidance for me I’ll take it, whatever it is. Mostly I know bottles don’t usually come back with an answer and I’m not stuck on an island either, so thank you for what you did, and I hope you feel happy looking back at your experience and achievements.

Sincerely,
Alex

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Cabins of the Yukon

This is one the best building books I’ve ever seen. These cabins are tuned in, just right. I’ll bet they are all designed and built by builders — refreshingly, not by architects.

Photos are elegant, layout outstanding.

Everything is just right.

At this time only available from publisher in Canada. (I’m encouraging Finella to get it more widely distributed.}

I totally recommend this book.

(I apologize for my photos of the pages, shot on iPhone, not greatest quality of reproduction.)

www.cabinsoftheyukon.com

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A Round Barn Rises in Rural America

LOGAN COUNTY, Okla. — A curiosity rises amid the wheat fields along rural Highway 33, which cuts through the town of Guthrie.

It’s an immense, circular building — about 15,000 square feet inside — with a domed roof topped by an ornate cupola and a copper eagle. Standing at 72 feet, it is visible for miles on the flat Oklahoma expanse.

Jay Branson is building it in his backyard. He calls it his round barn, but it’s more of a prairie cathedral.

He has been working on it for seven years. As he builds, strangers come. They pull off the highway, haul up his long driveway and stare.

Some, overcome by the beauty, have wept upon seeing the inside of the dome, with its ascending rings of interlocking diamonds and octagons that Jay cut by hand from poplar wood.

At the top is an oculus, a round opening in the roof, like in the Pantheon in Rome. When sunlight streams in, the effect is downright heavenly.

LA Times
BY HAILEY BRANSON-POTTS | STAFF WRITER
MARCH 9, 2023

Sent us by Maui Surfer

archive.is/XmYA1

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Shelter for Humans

Lloyd Kahn (born 1935) is arguably the most influential pioneer of the DIY building movement that emerged in the counterculture of the 1960s. Besides being trained as a carpenter and having built many homes by hand, he also has a special talent for presenting information in an easy-to-understand form, a skill he puts to use as editor-in-chief of Shelter Publications, where he releases books on building and fitness.

His first contact with the craft of publishing was in 1968 when he became a key contributor to the creation of the Whole Earth Catalog, which led him to publish two books on dome building and then, in 1973, the book Shelter (which went on to sell over 300.000 copies).

The name Shelter is significant here, as it describes the essence of why we build. When we speak of architecture we think of monumental structures or at least buildings for an elite, and not of the homes built to meet our most human needs. This is what I find so empowering about Kahn’s emphasis on building traditions outside the architectural canon: The message that you can still create your own home, without being rich or a professional. Much of what is presented to us today under the label #cabinporn has little to do with this utopian spirit that encourages a forgotten self-efficacy beyond what money can buy.

doorofperception.com/2023/02/lloyd-kahn-shelter

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Your Computer Is Not Going to Build a House for You

This the last part of a 7-minute video titled “Shelter – A Video about author Lloyd Kahn” made by Jason Sussberg (shooting 35mm film!) in 2009, when I was 75. He shows Lesley and me doing stuff around the homestead.
Jason included a minute or so of me skateboarding, with the sound guy on his crew (a skater) skating behind me and alongside me with the heavy 35mm camera.

Then I sat on the curb (in front of my skateboard) talking about housing.

Sorry this is so blurry, Jason’s work is clear, we copied this from YouTube.

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Timber-Frame Gothic Style Church in New Zealand

Hi Lloyd,

Here’s another amazing wooden Gothic style church built in nine months by seven carpenters and a manager in 1866. Old St. Paul’s Wellington. The ceiling timbers are Kauri, a native New Zealand hardwood.

Kind regards,
Bill Choquette
Wellington

P.S.: Been posting infrequently lately due to overwhelming busyness, both personal and professional. Also now deeply into my next book, provisionally titled Live From California, a sort of autobiography, which includes a native Californian’s view of what went on in the ’60s.

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