domes (17)

Teo Briseño’s Latest Sculptured Bathroom

Teo Briseño did the beautiful bathroom in SunRay Kelley’s temple dome at Harbin Hot Springs, near Middletown, California (which unfortunately burned down a few years ago). It’s shown in Builders of the Pacific Coast.

Here’s his most recent creation, a dome bathroom inside a conventional home in Southern California.


Hello Lloyd…

Here is most recent work of mine towards living in natural sculptured environments.

This dome is made with natural stone and wood; some is locally harvested and wood was cured for 2½ years.

Thin-shell dome construction of one-inch-thick cement over basalt rebar and mesh without metal, so will not rust, corrode or block natural bio-magnetics between the Earth and ourselves.

Planters are sculpted in wall: they include drip irrigation and recycling water drain to flush toilet.

Carbon-sequestering plasters: made of natural lime plaster, an “Old World” technology — warm, inviting, breathable, and is resistant to bacteria.

The shower is of the finest natural lime plaster, giving a smooth, burnished, monolithic finish called Tadelakt, and sheds water as ancient Moroccan bath houses do.

Offering natural bathrooms for healthy self-care environments…

Bringing the outdoors in … naturally, with ancient building ways.

Brisenoarts.org

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Icosahedral Pumpkin and Model

We recently got a letter from architect James Horecka, parts of which are excerpted below:

I figured I’d recreate a geodesic pumpkin that I had carved-up back around 1990, shortly after I visited the Buckminster Fuller Institute (back when it was still in Los Angeles).

…on Monday morning, I came up with the idea of making a Geodesic Jack out of EMT, as I had some laying around. Over three evenings of a few hours each, I knocked it out.

The basics:

  • 1v Icosahedron (obviously).
  • Struts: 8″ long pieces of ½″ EMT. Two 10′ sticks yielded the 30 struts required.
  • End tabs flattened in my 20-ton hydraulic press. They are long because I was originally going to just stack the joints, ‘Burner’ style.
  • At the last minute, I decided to use hubs instead of stacking (cleaner look, less hassle). The steel discs are 2¾″ diameter cover plates for repairing holes where operating hardware has been removed.
  • I drafted the Hub templates CADD; glued to the metal, center-punched, drilled, and deburred.
  • Fasteners are ¼-20 × ½″ stove bolts & nuts.
  • Two-tone paint: Honey inside (flesh), Amber outside (skin), plus Black.

Anyway: Creating this from scratch over just a few evenings was good fun.

I’ll probably go back and make another dozen hub plates, for the inside face of each node. With those and the bolts & nuts painted black, the assembly will look a little sharper still. Though now that Halloween is over, I’ve no idea what to do with this thing until next year! Cat House?

P.S.: I continue to enjoy reading your books. Cover-to-cover, one after another.

Sincerely,

James Horecka, AIA
Staff Architect, A&FE
Disneyland Resort, Anaheim

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Interior of Geodesic Dome, 1969

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Fisheye of the interior of a plywood and vinyl geodesic dome built by teenage students at Pacific High School in the Santa Cruz mountains, California, in 1969. The window patterns were great, and made for striking photos, but the domes leaked. I’ve always thought that our work at PHS was in the aesthetic realm, not in the practicality of our designs.

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Martin’s Pod

In the 1969-1970, I ran a dome building program at Pacific High School in the Santa Cruz mountains (above Saratoga). The school had 40 acres and the kids built their own domes to live in. It was pretty wild, and we did have some good moments before it all fell apart in a few years — teenagers away from home for the first time in a drug-rich environment.

Martin Bartlett was the music teacher and he built the only non-geodesic dome for himself. It was constructed by standing sheets of ¼″ plywood on end, trimmed on the upper edges so they could be pulled over and joined at the top. Martin then covered it with cedar shingles, installing a circular plexiglas skylight in the center. The design was by Bob McElroy, who had built one in Big Sur.

The school — teenagers building their own homes — resonated with the press in those days. Life magazine came and took photos, and Time published an article on us. I’m working on and off on a book on the ’60s and it will include the Pacific High School story.

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Whole Earth Catalog’s 50th Anniversary

Here’s a video made for the occasion. I was the shelter editor for several incarnations of the Catalog, including The Whole Earth Epilog.

“Meet the creators of the Whole Earth Catalog and the community they inspired. This video history of the Whole Earth culture covers 50 years of collective innovation in just 38 minutes.

“Whole Earth Flashbacks” takes you on a dazzling journey through time, from the first Whole Earth Catalogs to the Co-Evolution Quarterly, the Whole Earth Review, the Hackers Conference, the Well, Cyberthon, Wired, Burning Man and the 10,000 Year Clock, to name but a few.

These projects have one thing in common: they gave access to tools and ideas to help people bring their dreams to life — and change the world together.

This video retrospective features many creative minds and thought leaders: Stewart Brand, Jay Baldwin, Stephanie Mills, Lloyd Kahn, Ted Nelson, Doug Adams, Steven Levy, Andy Hertzfeld, Howard Rheingold, Jaron Lanier, Wavy Gravy, Kevin Kelly, Larry Harvey, Danny Hillis and Steve Jobs, in order of appearance.

Whole Earth Flashbacks was created by Fabrice Florin, with the help of over 60 community members…. Our video premiered at the 50th Anniversary of the Whole Earth Catalog on October 13, 2018, at Fort Mason in San Francisco.…”

https://vimeo.com/album/5479545/video/294878432

(In the 2nd row of the above collage, 2nd from left, is a fisheye shot of me in my dome at Pacific High School in 1968.)

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My Take on the ’60s

Jim Morrison said once that when they (The Doors) finished a record, only then were they released to start thinking about the next one. When I finished Small Homes, I couldn’t think what to do next. I’d sort of run the gamut of 9″x12′ building books, each with about color 1000 photos, from Home Work to Small Homes. Retire? No way! I’m just getting warmed up.

About the same time there was an explosion of articles, TV specials, museum exhibits, and conferences rehashing “The Summer of Love.” (Yes, I know I’ve written this before, but I’m further into it all now.)

Since my take on the years was so different from everything being written or presented, I decided to write my own version of the ’60s. (I was there.) The project seemed to gather momentum as I proceeded. I started having fun. I hadn’t looked back at those times in any sort of organized way, and I found myself not only marveling at what happened, but having new insights with the perspective of 5 decades.

Plus, the 60s weren’t an abstraction for me. The concepts, the spirit, the new knowledge profoundly changed my life. (I just realized this now.)

Stop, children, what’s that sound,

Everybody look—what’s going down.

                             -Buffalo Springfield

Read More …

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It’s All About Building

Small Homes – the book

I’ve got pretty much all the pages laid out. Rick will be back from Hawaii next week and build the rest of the pages in InDesign. The book is looking better each week. Here’s a little hidden waterfront cottage (under construction) on Vancouver Island, BC (the shakes for the eaves were steamed and bent).

Material continues to come in for the book (400-1200 sq. ft. homes), and we’ll continue the book after its publication on theshelterblog, with a section titled “Small Homes.” Ongoing small homes.

My Next Book (?)

Adventures in Building – a 70-Year Odyssey

No kidding. I started at 12 years old, helping my dad build a house on his rice farm near Colusa, California. At 18 I got into the carpenters’ union in San Francisco and worked for a shipwright on the docks (SF was a port in those days!). At age 25 I started building and remodeling on a piece of land with 3 cottages in Mill Valley, California.

I never got the chance to work with a master carpenter or formally learn architecture, so I had a layman’s approach. Everything was new.

Right off, I liked the smell of lumber, and was fascinated with how things went together (still am). In about 12 buildings over the course of years, I personally went through post and beam, then polyhedral (domes), and finally stud frame construction techniques.

And all along, I shot pictures of buildings, collected books, and interviewed builders about all types of buildings and materials, and so far, have produced 6 highly graphic books on building.

Having this layman’s view means I can talk to inexperienced builders in understandable terms. Plus, all the travel and studying and interviews have given me a wealth of material of interest to experienced builders. We’re all interested in how things are put together. That’s what building is all about.

Música del día:

Etta James “Come Back Baby”

https://www.youtube.com/watch?v=BdFcg7zkhqM

Enough! I’m heading for the beach…

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