crafts (92)

Virtual Presentation of The Half-Acre Homestead

I did a virtual presentation of my book, The Half-Acre Homestead on August 20, 2020) at Bookshop Santa Cruz, one of my favorite bookstores in the world. I usually do a bunch of bookstore appearances for each new book; this year I just got the first one done at City Lights, before Covid closed things down.

It was recorded. About 30 minutes are me doing a slide show from the book. The last 30 minutes are questions from the audience — what do I think of domes, A-frames, underground houses? How to build nowadays? Cob and strawbale and Hardy Board? Chickens. My image looks blurry (at least here) and I suspect this is because of our slow DSL connection. (C’mon Horizon, ride to our rescue!)

www.crowdcast.io/e/bookshop-santa-cruz-7

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Shingled Cabin in France

I am Bastien Forestier. I live in Boussy Saint Antoine near Paris. One year ago, in the winter, I was driving across Normandy to go surfing. On my way I stumbled upon la Chappelle D’Allouville, a mystical wooden treehouse made by a monk in 1609. So I decided to build a shelter using this technique.

I began doing wood shingles and beams. First with axes, then I bought a shaking axe.

I used the trees around me. I know them all since my childhood. Now after a year i have a roof and walls. I am very sure to make more houses like this in the future, inspired by Tingely’s cyclops maybe.

I like that the people in the neighborhood call it La Chapelle (the chapel).

Note: These are actually shakes, rather than shingles.  –LK

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Wonderful Houses Around the World

Yesterday I read in the paper that sales of children’s books are booming, due to schools being closed. This brought to mind our one and only children’s book, Wonderful Houses Around the World, by photographer Yoshio Komatsu and artist Akira Nishiyama.

There are 10 photographs by Yoshio of homes in different parts of the world. All the homes are built of natural materials — earth, wood, thatch, sod, bamboo, and stone.

Each photo is followed by a watercolor drawing of the inside of that home, showing the children and their parents going about their everyday activities: food gathering and processing, cooking, sleeping, working and playing.

The book is timely in this day and age: it shows what people do in their homes. Timely also because it’s great educational material for kids being home-schooled: look at what what kids your age are doing in other parts of the planet.

Yoshio is my favorite photographer of homes in the world. Not only are the homes invariably soulful, but his composition and lighting are perfect — and he has a knack for making people feel comfortable, so that the homeowners look natural, often laughing.

The book is $12.95 and you can order it through your independent bookstore, or from:

Note: We have a money-back guarantee on all of our books (no matter where you buy them). If for any reason you are dissatisfied, call us and we’ll return the full purchase price plus shipping. No need to return the book.

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Handcrafted Homes in Pennsylvania Woods

A terrific article in today’s NYTimes (3/16/20) online by Michael Snyder, with great photos by Chris Mottalini.

Everything about this story and the photos struck me as right. I felt at home here. I love the rumpled bed in the second photo. I also like the idea of an “alternative to modernism.” 

How Two Children Are Keeping Their Father’s Design Legacy Alive

A pair of Pennsylvania homes constructed by the Japanese-American furniture designer George Nakashima have become an enduring testament to mid-century folk craft.

“From 1946, when he founded his studio on a three-acre plot in New Hope, a historic artist’s colony halfway between New York City and Philadelphia, to his death in 1990 at the age of 85, Nakashima devoted his life to transforming slabs of walnut, cherry, burled maple and redwood into coffee tables shaped like pools of water, Shaker-style chairs with hand-whittled spindles and dining-room tables fashioned from slices of tree trunks, their cracks and seams bridged with joints like butterflies caught in amber. ‘He felt his work was a form of integral yoga: How you work and live is all connected,’ his daughter, Mira, 78, told me on a damp, gray morning last fall while showing me around the grounds of the studio, which she has run since her father’s death. Organic, improvisational and individual, the tens of thousands of objects he made in the course of his lifetime were also functional, meant for daily use; they were, Mira says, “the antithesis of Modernism, a protest against mass production.”

“But the homes where Mira and Kevin live, patinated and imperfect and crowded with debris, more fully capture the spirit of mingei. Less an antithesis to Modernism than an alternative to it, such projects embraced 20th-century idioms while refusing to accept industrial mass production as the fundamental fact of modernity. ‘Dad always said that building furniture was just like architecture but smaller,’ Mira says. In his houses for his children, the opposite holds true: Like Nakashima’s tables and chairs, they can be read as works of folk art, useful objects that, as Yanagi wrote, ‘honestly fulfill the practical purpose for which they were made.’”

www.nytimes.com/2020/03/16/t-magazine/george-nakashima-legacy.html

Article sent us by Elizabeth Kirkland

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