architecture (573)

Brunelleschi’s Dome in Florence

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The Cattedrale di Santa Maria del Flora in Florence. I hadn’t realized it was faced with slabs of green and pink marble!

20 euros to walk up the 463 stone steps in Brunelleschi’s dome (duomo).

I bought a book, Brunelleschi’s Dome by Ross King, to read later, detailing his ingenious engineering; check it out on Wikipedia, which has a great account.

The fresco, painted in the 1500s, depicts the Last Judgment and includes themes from Dante’s Divine Comedy, with sinners at the bottom going through the agonies of purgatory, which, according to Catholic dogma is necessary to enter heaven. Well, whatever…

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Bob Easton, Designer and Co-Editor of Domebook One, Domebook 2, and Shelter

A (grainy) photo of the Shelter crew in my dome at lunch time, summer, 1973. L-R: Me, Joe Bacon, baby Chandra, Bob and Jeanine

In the late ’60s, Bob was my conspirator in crime, and best friend. We met in Big Sur in ’67 or so, just as the countercultural revolution was in full swing. We were excited by rock and roll, owner-building, photography, the media, Buckminster Fuller, geodesic domes, and going beyond ’50s homogeneity and beatnik negativity.

In 1970, we took one week, borrowing the Whole Earth Catalog studio in the Santa Cruz mountains, and produced Domebook One. In 1971, we rented an old lakeside resort in the Santa Barbara mountains for a month and again, borrowing WEC typesetting and camera equipment, produced Domebook 2.

In 1973, Bob and his wife Jeanine and baby Chandra moved to Bolinas for three months while we worked on Shelter. I would write or edit text, Joe Bacon (“fastest typist in the west”) would do the typesetting, and Bob would design the pages. He did this by hand-drawing each two-page spread on architectural drafting paper, and the pages would be prepared accordingly. Analog book production.

Bob would edit me and we argued a lot, but it was an iterative process that fine-tuned the book.

We were both fans of Life Magazine, and felt that each two-page spread should stand alone and be visually balanced.

People tend to think of me as the sole producer of Shelter and Bob doesn’t get enough credit for what he did. Without him, Shelter would not exist in its graphically exciting and hip form. We were fans of all the changes of the ’60s and throughout the book, commented on old ways that should be cleared out for the new.

After Shelter, Bob went full-time into architecture, with an exception, being co-author, along with Peter Nabokov, of Native American Architecture.

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Models of Wood-Framed American Buildings at Biennale Architettura in Venice

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There is a wonderful exhibition of wood-framed buildings at the American pavilion of the Architecture Biennale in Venice, with a large pavilion and a bunch of exquisite models.

There’s a good writeup at designboom.

Read the text on the importance and uniqueness of stud framing in America. Click on appropriate subjects.

The curators of this unique exhibit were Paul Andersen and Paul Preissner. The scale models were researched and designed by students at the School of Architecture at the University of Illinois College in Chicago. Now there’s an architecture school I would check out if I were a student!

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Arrival in Venice

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Forget about my whining. The hassle was well worth it. Venice is magic, even more so due to way less tourists than normal.

Hard to describe what it’s like to be in big city with NO CARS! Sounds of silence. Whole other octave.

These pics from a vaporetto ( boat bus) on way to our apartment last night.

Superlatives don’t do Venice justice. Stay tuned…

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GIMME SHELTER – October 2021

To anyone receiving this for the first time, I send these newsletters out every few months. They’re different from social media — old school in a way — in that they go to a select audience (over 5,000 people now), rather than blasting out into the internetosphere.

If you’re not signed up on the list to receive it, you can sign up for email delivery of the Gimme Shelter newsletter here.


This is my first newsletter in 6 months, no less. Boy, how time has flown. So I’m afraid it’s gonna be a long one.

Rolling Homes

Rick and I have been working on this book for maybe 4 months. Our modus operandi: I write (or edit) text, print out photos, use a color copy machine (a workhorse Brother MFC-371DCW) to resize photos, then paste down text and photos with removable Scotch Tape. These then go to Rick, who uses Photoshop and InDesign to prepare files for printers. As we go along, he makes PDFs so I can print out pages to see how they look. An analog/digital process. We’ve got about 150 (out of 256) pages done.

I never know what a book will be like until we are well underway in production. We start with a theme — here, homes on wheels — and put it together 2 pages at a time, and the book reveals itself as we proceed.

And this one — good golly Miss Molly! — is turning out to be amazing. I’m sure you’re aware of the explosion of nomadic vehicles in recent years. Our book is composed of primarily do-it-yourselfers — the theme running through all our building books — and the designs, ingenuity, and craftsmanship are stunning.

One thing I just realized: there are a lot of surfers in this book — female and male. Below is Yasha Hetzel, who went 120,000 miles in Australia in a Citroën Berlingo van, here surfing at South Point:

BTW, we don’t seem to have any of the so-called “vanlife” rigs here — the young attractive couples with photos of sunsets and the minutiae of their daily lives. It wasn’t a conscious decision; it’s just is turning out that our rigs and people are more real, more hands-on than the “influencers.”

Shelter Books Exhibited at the Biennale Architettura in Venice

This is the big news around here right now. According to Wikipedia, the Biennale Architettura is “…an International exhibition held every other year in Venice, Italy, in which architecture from nations around the world is presented.”

The two architects responsible for the exhibit, Leopold Banchini and Lukas Feireiss, visited here last year, interviewed me, shot photos, and in conjunction with the exhibit, produced a book titled Shelter Cookbook. They have arranged for my flights to and from Venice, and a place to stay there, and after three flight cancellations and rescheduling and Covid preparations, I’m set to leave here on October 6th. I am excited!

The Shelter part of the exhibit consists of three of our books: Domebook One, Domebook 2, and Shelter, which are on display, as well as stick models of buildings shown in these books.

Stick models of buildings in Shelter and Domebook 2. A lot of work went into making these!

The exhibit is in the Arsenale di Venezia, a huge complex of shipyards and buildings built in the 1100s and used for building Venice’s ships.

I’ll be in Venice October 9–11; and on the 13th, I’ll be doing a slide presentation called “60 Years of Natural Building” at the Accademia di Architettura di Mendrisio, a school of architecture in Italian-speaking Switzerland. Then to Florence, then (maybe train ride) to Sicily where I’ll spend a week exploring (and swimming). Back home and back to book production end of October.

I’m really excited to be going back to Italy (and seeing Venice and Sicily for the first time). I love the people, the sea, the countryside, the food, the gardens — the Italian way of life — my cup of tea — er, espresso.

I’m going as lightweight as possible this trip, with a Cotopaxi Allpa 35 travel pack with compression bags (fits easily into overhead bin) and my regular daily Dakine backpack for MacBook Air, glasses, pens, etc. Trying something new this trip: the only camera — my iPhone 11 Pro Max. Not taking my Olympus OM-D EM-1 camera and lenses saves a lot of weight, and the iPhone is pretty darn capable.
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