I started sending out newsletters to Publishers Group West reps (our distributors) in 2001, one every month or two — news of our books plus a few extracurricular things thrown in. I started adding friends and people I met who had common interests, and it got up to about 600 people. Then along came blogging, and later Instagramming, and I’ve been sending out these newsletters a lot less frequently.

Recently I’ve concluded that newsletters are a different and more direct form of communication than blasting everything out to the world via “social media.” So I’m building up this mailing list and now going to do them a little more frequently — once every month or two.

You can sign up for email delivery of the Gimme Shelter newsletter here:

Driftwood Shacks: It’s done!

Analog layout:

I print out photos on an old Brother copy machine to size, and print out text in two or three columns. (I actually write a lot of the text during layout.) Then I use a proportional wheel and scissors and an X-Acto knife to arrange a two-page spread at a time, then affix it with removable Scotch Tape. Yeah, can you believe it? Coffee, music, right brain function occasionally ganja-enhanced.

Sure, I know it can all be done on a computer, but I prefer to stay out of the binary world for creative work.

Digital preparation for printing press: Rick transforms the crude pasteups into precise files, using Photoshop and InDesign, and voila!

Hardcover • 8½″ by 8½″ • $19.95
160 pages • 176 color photos
ISBN 978-0-936070-80-3
Publication date March 12, 2019 (but it’s shipping now)

Info on it (and early copies): www.shelterpub.com/building/driftwood

Review copies: If you or someone you know wants a copy for review, click to send us address(es).

The Half-Acre Homestead

I’m working on this now, the 35th book I’ve published in 48 years (the tenth that I have authored). It’s the story of our lives for the last 40+ years: building a house, gardening, cooking, foraging, fishing, crafts, etc. It should be out in early 2020.

I’m using Google Photo, an app that, once installed, downloads all your digital photos. Then you can do a search: “garden,” “fireplaces,” “kitchens,” etc. and in a few seconds it pulls up all the images of the selected category. It was hugely useful for the driftwood book; dozens of photos I’d forgotten about.

Books in the Pipeline

After the homestead book: The 40th anniversary edition of Stretching (with stretches for the bad posture encouraged by cell phone usage); Hit the Road Jack, the latest on rolling homes; books on barns, Baja California Sur, the ’60s (through the eyes of a San Francisco native. Don’t get me started!

ABA Winter Institute

With Jamie Byng of Canongate Press, London

I had a great time at this event in Albuquerque (in late January). I signed about 70 copies of the driftwood book for book buyers; There were two authors at each table, and my tablemate was Mark Kurfansky, author of Salt and Cod and now working on a book for Patagonia on salmon.

I met a bunch of great people — book lovers all.

I spent two days before the conference at a hot springs spa in the town of Truth or Consequences, two hours south of Albuquerque, and had other adventures documented here:

Instagram: www.instagram.com/lloyd.kahn
My all-over-the-place blog: www.lloydkahn.com/… (Links to posts from Albuquerque.)

Two photos from Albuquerque:

Who could resist stopping at Carmen’s (in Truth or Consequences)? Blue corn enchiladas and green chile. Carmen cooks; her daughter is the waitress.

 

My friend Ned Cherry at his man cave in the backyard of his adobe house in Albuquerque. We hadn’t seen each other in 30 years. (We’ve known each other for 65 years — since we were 18.)

Sorry this is so long, I didn’t have time to make it shorter.

“I love the life I live and I live the life I love.”
–Muddy Waters (written by Willie Dixon, 1915-82)

Coyote alongside Highway One. I’ve seen him several times. He seems curious about humans. The trickster. I hope people aren’t feeding him.

“What shall I do,” Fox asked himself. He began to sing in order to find out.

“I would like to meet somebody,” he sang to the sky.

Then he met Coyote.

“I thought I was going to meet someone,” Fox said.

“Where are you going?” Coyote asked.

“I been wandering all over trying to find someone.

I was worried there for a while.”

“Well, it’s better for two people to go together … That’s what they always say.”

“Okay. But what will we do?”

“I don’t know.”

“I got it! Let’s try to make the world.”

“And how are we going to do that?” Coyote asked.

“Sing!” said Fox.

–Jaime de Angulo, Indian Tales
(From the first page of Shelter)

This building was inspired by our book Shelter, and it likewise inspired our book Home Work, which features Louie as the primary builder, with 10 pages of his creations. When I visit Louie, I sleep in the little round bedroom at the right. The building was built with poured concrete and slip forms in the ’70s.

Check out this new book.

Facebook is turning out to be a horror story.

Go to Amazon here and read the author’s prologue in the “Look Inside.” Please read this if you use Facebook. It’s chilling.

…democracy has been undermined because of design choices and business decisions by Internet platforms that deny responsibility for the consequences of their actions. How the culture of these companies causes employees to be indifferent to the negative side effects of their success. At this writing, there is nothing to prevent more of the same.

It’s giving me second thoughts about using Instagram. Rick Gordon pointed this out to me yesterday:

You may be shocked to find out that once you post on these sites (Facebook, Instagram), that although you still ‘own’ the photograph, you grant the social media sites a license to use your photograph any way they see fit for free AND you grant them the right to let others use your picture as well.

Sheesh! I had no idea. Instagrammers, photographers, check this out: www.shltr.net/zucked

From Tom Bissel’s review in the 1/29/19 edition of the NY Times:

…McNamee saves his most conspicuous outrage for Facebook’s amoral leadership at the hands of not just Zuckerberg but also his chief operating officer, Sheryl Sandberg, whom McNamee recommended Zuck hire before she could take a job at The Washington Post. McNamee describes their grip on the company as “the most centralized decision-making structure I have ever encountered in a large company.” Their power dyad is possible only because Facebook’s “core platform,” as McNamee puts it, is relatively simple: It “consists of a product and a monetization scheme.” Non-tech companies with comparable global reach (Coca-Cola, Exxon) must deal with complex real-world infrastructure issues as well as the needs of a highly diverse work force. Large corporations also typically create interrelated eddies of economic activity, whereas Facebook’s business model is founded upon sucking the economic activity out of otherwise productive workers. Most troubling of all, a company whose product is used by one-third of the planet has only 30,000 employees. In every imaginable sense, Facebook is a Borg-like drain on the world’s economy. It doesn’t make you better and likely makes you worse. Unlike Exxon, it can’t even get you to Albuquerque.…

…McNamee’s book is … a robust and helpful itemization of the ways Facebook could be brought to heel. McNamee clearly believes the company can be made into something more benign, and perhaps even socially beneficial. That may or may not be true, but the damage it has already done is not precisely containable. Considering the high likelihood that Russian activity on Facebook may have tipped the 2016 election to Donald Trump, the damage is already of generational measure.

But here’s the bizarre quirk of the Facebook dystopia, whose sheer perversity would have likely pleased Orwell: It’s all Big and no Brother. Our time and lives are the company’s only currency. Without our continued attention, Facebook quite literally has nothing, and its empire could be brought down with a feather. Now, blow.

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• From @lloyd.kahn’s Instagram