Note: All my posts on the ’60s are gathered under “The ’60s,” above. Being a blog, these posts are in reverse order. If you want to read them from the beginning, scroll down. Chapter 1 is at the bottom, chapter 2 above that, etc.

Lloyd and Louie Visit 02 Artisans Aggregate in Oakland

Tucker Gorman is an artist/woodworker that I recently met through Foster Huntington. Tucker is one of a group of builders, artists, welders, sculptors, and gardeners that operate out of a number of large buildings in the industrial part of Oakland, Calif. I’d been there last week and took my friend Louie with me to see it all this week. (BTW, Louie is 92 years old and still rides a 500-foot zip line across the Garcia River in Mendocino county to get to his house.)

It’s an amazing setup, with a group of ultra-competent people engaged in all kinds of activities. There are a number of dimensional sawmills — the largest can handle a 5-foot log — and the yards are piled high with stacks of sliced‑into‑slabs logs and stickered lumber of all sorts. In one building, there’s Joinery Structures, a custom sawmill with mills, planers, joiners, sanders, and other milling tools I’ve never seen before.

There’s a greenhouse in which seaweed is dried. There are chickens, guys working on making chicken feed out of food byproducts, a nursery, tanks containing sturgeons, and Soba Ichi: a very cool-looking, fresh noodle restaurant. More photos of it here.

Central to all this is Paul Discoe, a Zen Buddhist priest who studied under Suzuki Roshi at the San Francisco Zen Center and then spent five years studying with a master carpenter in Japan. He’s published a beautiful book, Zen Architecture: The Building Process as Practice.

I don’t have a lot of time (one could spend days writing this place up), but here are a few photos:

Brilliant use of shipping containers

This mill will handle a 5-foot log. With these mills, the blade housing moves on tracks; the log is stationary.

Paul Discoe’s collection of Japanese carpentry tools

More pics to follow when I get time.

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